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Painting & photography at the Jaipur court
Painting and photography at the Jaipur court
Tillotson, G. H. R. (Giles Henry Rupert)
276 pages : chiefly color illustrations ; 31 cm.
From its very inception in 1727, Jaipur has drawn upon the arts to carve a niche for itself. This book tells the story of the visual arts in Jaipur over a period of more than two centuries, highlighting the dual roles of its rulers as patrons who commissioned works from their own court artists, and as collectors who acquired works from elsewhere. In the special case of Maharaja Sawai Ram Singh II, it also encompasses the creation of art, as he was an accomplished amateur photographer. The story begins with paintings from the 18th century, from the period of the founder Maharaja Sawai Jai Singh II, up to that of Maharaja Sawai Pratap Singh, under whose reign painting in particular flourished. It then captures the excitement of the late 19th century when the camera competed with but also complemented the artist's brush under Maharaja Sawai Ram Singh II. The story concludes with images from the eventful years leading to Indian Independence and its aftermath overseen by Maharaja Sawai Madho Singh II and Maharaja Sawai Man Singh II, bringing us up to the mid-20th century. This volume is the fourth in a new series of publications illustrating the collections of the Maharaja Sawai Man Singh II Museum, City Palace, Jaipur. It accompanies a new gallery dedicated to painting and photography that opened in 2015, showcasing a selection of two hundred paintings and photographs. Specially commissioned chapters on painting and photography in Jaipur expand on the scope of the exhibition and draw together the latest research on the collection.
edited by Giles Tillotson & Mrinalini Venkateswaran ; catalogue notes by Shefalika Awasthi [and five others].
"Maharaja Sawai Man Singh II Museum Trust."
Includes bibliographical references (pages [269]-273) and index.