http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
xiii, 239 pages : illustrations ; 22 cm.
In this book, educator-actor-playwright-director Elizabeth Hess offers systematic and original explorations in performance technique. This hybrid approach is a fusion of physical theater modalities culled from Western practices (Psycho-physical actions, Viewpoints), Eastern practices (Butoh, Kundalini yoga) and related performance disciplines (Mask, Puppetry). Behavioral, physiological and psychological 'states of being' are engaged to unlock impulses, access experience and enlarge the imagination. Through individual, partnered and collective explorations, actors uncover a character's essence and level of consciousness, their energy center and body language, and their archetype and relationship to universal themes. Magic (to pretend, as if), Metaphor (to compare, as like) and Myth (to pattern after, as in) provide the foundation for generating transformative, empathetic and expansive artistic expression. Explorations can be adapted to character work, scene study and production, including original/devised work and established text, to illuminate singular and surprising work through collaborative creativity that is inventive, inclusive and alive.
1. Introduction -- Part 1. States of Being -- Chapter 2. Behavioral States -- Chapter 3. Physiological States -- Chapter 4. Psychological States -- Part 2. Explorations in Embodied Performance -- Chapter 5. Behavioral Explorations -- Chapter 6. Physiological Explorations -- Chapter 7. Psychological Explorations -- Part 3. The Interplay of Acting & Being -- Chapter 8. Character Work -- Chapter 9. Scene Study -- Chapter 10. Production -- Chart: States of being.
Includes bibliographical references (pages 227-229) and index.