Negotiating the sacred II : blasphemy and sacrilege in the arts /
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
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Canberra, ACT :
ANU E Press,
[2008]
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| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Introduction: Lines in the sand / Elizabeth Burns Coleman and Maria Suzette Fernandes-Dias
- Section I: Understanding Blasphemy and Sacrilege. Blasphemy and sacrilege: A challenge to secularisation and theories of the modern? / David Nash
- 'The devil's centres of operation': English theatre and the charge of blasphemy, 1698-1708 / David Manning
- Madonna and piano accordion: Disrupting the order of the world / Elizabeth Burns Coleman
- Materialising the sacred / Dianne McGowan
- Section II: Motivations for Artistic Blasphemy. Blasphemy and sacrilege in the novel of magic realism: Grass, Bulgakov, and Rushdie / Peter Arnds
- Les fees ont soif: Feminist, iconoclastic or blasphemous? / Maria-Suzette Fernandes-Dias
- The body of Christ: Blasphemy as a necessary transgression? / Carolyn D'Cruz and Glenn D'Cruz
- Section III: Reinterpreting Freedom of Expression. The monologue of liberalism and its imagination of the sacred in minority cultures / Jasdev Singh Rai
- Blasphemy in a pluralistic society / Jeremy Shearmur
- Section IV: Self-expression and Restriction. Blasphemy and the art of the political and devotional / Christopher Braddock
- Negotiating the sacred body in Iranian cinema(s): National, physical and cinematic embodiment in Majid Majidi's Baran (2002) / Michelle Langford
- Silence as a way of knowing in Yolngu Indigenous Australian storytelling / Caroline Josephs.