| Tag |
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Second Indicator |
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| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00003838813 |
| 005 |
20170926131051.0 |
| 008 |
161122t20172017paua b 001 0 eng c |
| 010 |
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|a 2016053770
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| 020 |
|
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|a 9780812249279
|q hardcover :
|q alkaline paper
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| 020 |
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|a 0812249275
|q hardcover :
|q alkaline paper
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| 035 |
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|a (OCoLC)ocn960292616
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| 040 |
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|a PU/DLC
|e rda
|c DLC
|d UtOrBLW
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| 043 |
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|a e-gx---
|
| 049 |
|
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|a TXAM
|
| 050 |
0 |
0 |
|a PN1993.5.G3
|b K44 2017
|
| 082 |
0 |
0 |
|a 791.430943
|2 23
|
| 100 |
1 |
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|a Killen, Andreas,
|e author.
|0 http://id.loc.gov/authorities/names/n97853031
|
| 245 |
1 |
0 |
|a Homo cinematicus :
|b science, motion pictures, and the making of modern Germany /
|c Andreas Killen.
|
| 264 |
|
1 |
|a Philadelphia :
|b University of Pennsylvania Press,
|c [2017]
|
| 264 |
|
4 |
|c ©2017
|
| 300 |
|
|
|a 268 pages ;
|c 25 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Intellectual history of the modern age
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| 504 |
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|a Includes bibliographical references and index.
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| 520 |
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|a In the early decades of the twentieth century, two intertwined changes began to shape the direction of German society. The baptism of the German film industry took place amid post-World War I conditions of political and social breakdown, and the cultural vacuum left by collapsing institutions was partially filled by moving images. At the same time, the emerging human sciences, including psychiatry, neurology, sexology, eugenics, industrial psychology and psychoanalysis, began to play an increasingly significant role in setting the terms for the way Germany analyzed itself and the problems it had inherited from its authoritarian past, the modernizing process and war. Moreover, in advancing their professional and social goals, these sciences became heavily reliant on motion pictures. Situated at the intersection of film studies, the history of science and medicine and the history of modern Germany, Killen connects the rise of cinema as a social institution to an inquiry into the history of knowledge production in the human sciences. Taking its title from a term coined in 1919 by commentator Wilhelm Stapel to identify a new social type that had been created by the emergence of cinema, Killen explores how a new class of experts in these new disciplines converged on the figure of the "homo cinematicus" and made him central to many of that era's major narratives and social policy initiatives.
|
| 650 |
|
0 |
|a Motion pictures
|x Social aspects
|z Germany
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Motion pictures
|z Germany
|x Psychological aspects
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Cinematography
|x Scientific applications
|z Germany
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Psychoanalysis and motion pictures
|z Germany
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Social sciences
|z Germany
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Social change
|z Germany
|x History
|y 20th century.
|
| 830 |
|
0 |
|a Intellectual history of the modern age.
|0 http://id.loc.gov/authorities/names/no2015027757
|
| 945 |
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|b 155046
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| 947 |
|
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|a A14850174120
|
| 948 |
|
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|a cataloged
|b h
|c 2017/7/6
|d c
|e dmitchel
|f 1:30:20 pm
|
| 994 |
|
|
|a C0
|b TXA
|
| 999 |
f |
f |
|s ee28e383-39bd-3956-9880-532e97bf111a
|i 38f98189-ad4d-3578-a72f-f66be1ca399d
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PN1993.5.G3 K44 2017
|h Library of Congress classification
|i unmediated -- volume
|m A14850174120
|
| 998 |
f |
f |
|a PN1993.5.G3 K44 2017
|t 0
|l Evans: Library Stacks
|