http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
rhythm and sonic mediation in modern literature and film
(7th : 2013 : University of New South Wales)
On not listening to modernism / Julian Murphet -- Advocating auricularisation : Virginia Woolf's "In the orchard" / Tom Vandevelde -- Bottled bands : automatic music and American media publics / Lisa Gitelman -- How to listen to Joyce : gramophones, voice and the limits of mediation / Helen Groth -- Sounding region, writing accent : A.G. Street and the BBC / Debra Rae Cohen -- Partial to opera : sounding Willa Cather's empty rooms / John Plotz -- Elliptical sound : audibility and the space of reading / Julie Beth Napolin -- Harsh sounds : George Gissing's penetrating literary voice / Penelope Hone -- Body and soul : modernism, metaphysics, rhyme / Sean Pryor -- Listening to the late cantos / Kristin Grogan -- The rhythms of character in Katherine Mansfield's "Miss Brill" / Helen Rydstrand -- The rhythm of the rails : sound and locomotion / Laura Marcus -- Two-step, nerve-tap, tanglefoot : tapdance typologies in cinema / Steven connor.
edited by Julian Murphet, Helen Groth and Penelope Hone.
Papers originally presented at the conference Modern Soundscapes, held at the University of New South Wales in 2013.
Includes bibliographical references (pages 231-249) and index.