http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
neuropsychoanalysis and authorship in film and literature
Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roché to François Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of François Ozon -- Conclusion.
Includes bibliographical references, filmography and index.