http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
intercultural cinema, embodiment, and the senses
Building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world ... back cover.
The memory of images -- The memory of things -- The memory of touch -- The memory of the senses -- Conclusion: The portable sensorium.
Includes bibliographical references (pages 259-273) and index.