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Staging blackness and performing whiteness in eighteenth-century German drama
Introduction -- Race in eighteenth-century Germany -- Slavery, colonialism, and the eighteenth-century global stage -- "Looking at the overlooked": stage properties and the table in Karl Lessing's Die mätresse (1780) excursus: the court moor and eighteenth-century court painting -- The construction of whiteness in eighteenth-century bourgeois drama -- Race, doubles, and foils: staging blackness in Friedrich Wilhelm Ziegler's Die mohrinn -- Race, homosocial desire, and the black in Ernst Lorenz Rathlef's Die mohrinn zu Hamburg -- Reading in the dark? racial hierarchy and miscegenation in Heinrich von Kleist's "Die verlobung in St. Domingo" and Theodor Körner's Toni -- Epilogue.
Includes bibliographical references (pages [233]-250) and index.