| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a22000008i 4500 |
| 001 |
in00003724513 |
| 005 |
20160914145626.0 |
| 008 |
160112s2016 nyua b 001 0 eng |
| 010 |
|
|
|a 2016000521
|
| 035 |
|
|
|a (OCoLC)ocn935676660
|
| 040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d OCLCF
|d OCLCQ
|d YDXCP
|d ERASA
|d YDX
|d CLE
|
| 020 |
|
|
|a 9781501308123
|q (paperback)
|
| 020 |
|
|
|a 1501308122
|q (paperback)
|
| 020 |
|
|
|a 9781501308116
|q (hardback)
|
| 020 |
|
|
|a 1501308114
|q (hardback)
|
| 024 |
8 |
|
|a 40026339143
|
| 035 |
|
|
|a (OCoLC)935676660
|
| 042 |
|
|
|a pcc
|
| 050 |
0 |
0 |
|a NX650.S68
|b B37 2016
|
| 082 |
0 |
0 |
|a 700.1/08
|2 23
|
| 084 |
|
|
|a MUS020000
|a MUS000000
|a PHI001000
|2 bisacsh
|
| 049 |
|
|
|a TXAM
|
| 100 |
1 |
|
|a Barrett, G. Douglas,
|e author.
|
| 245 |
1 |
0 |
|a After sound :
|b toward a critical music /
|c G Douglas Barrett.
|
| 264 |
|
1 |
|a New York :
|b Bloomsbury Academic,
|c 2016.
|
| 300 |
|
|
|a 243 pages :
|b illustrations ;
|c 23 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 520 |
|
|
|a "After Sound examines contemporary art practices that reconceive music beyond the limitation of sound. Coining the term "critical music," it examines a diverse collection of art projects which intervene into specific political and philosophical conflicts by exploring music's unique historical forms"--
|c Provided by publisher.
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
8 |
|
|a Machine generated contents note: -- Introduction: Music After SoundSilence and Collectivity -- Chapter 1: The Limits of Performing Cage: Ultra-red's SILENT LISTEN -- Chapter 2: The Silent Network: The Music of WandelweiserLanguage and Authority -- Chapter 3: "IDEAS MATTER": Žižek Sings Pussy Riot -- Chapter 4: Music to the Letter: Noise, Language, and the Letter from SchoenbergSpeculation and Sense -- Chapter 5: The Debt of Philosophy: Music, Speculation, and The Sound of Debt -- Chapter 6: The Metaphoricity of Sense: Hong-Kai Wang's Music While We Work -- with Lindsey Lodhie -- Conclusion: Music After Art -- Acknowledgments Notes Selected Bibliography Index.
|
| 650 |
|
0 |
|a Sound in art.
|
| 650 |
|
0 |
|a Silence in art.
|
| 650 |
|
0 |
|a Art and music.
|
| 650 |
|
0 |
|a Music
|x Social aspects.
|
| 650 |
|
7 |
|a MUSIC
|x History & Criticism.
|2 bisacsh
|
| 650 |
|
7 |
|a MUSIC
|x General.
|2 bisacsh
|
| 650 |
|
7 |
|a PHILOSOPHY
|x Aesthetics.
|2 bisacsh
|
| 650 |
|
7 |
|a Art and music.
|2 fast
|0 (OCoLC)fst00815413
|
| 650 |
|
7 |
|a Music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01030444
|
| 650 |
|
7 |
|a Silence in art.
|2 fast
|0 (OCoLC)fst01118530
|
| 650 |
|
7 |
|a Sound in art.
|2 fast
|0 (OCoLC)fst01127003
|
| 776 |
0 |
8 |
|i Online version:
|a Barrett, G. Douglas, author.
|t After sound.
|d New York : Bloomsbury Academic, 2016
|z 9781501308109
|w (DLC) 2016002614
|
| 945 |
|
|
|b 774404
|
| 947 |
|
|
|a A14843443855
|
| 994 |
|
|
|a 92
|b TXA
|
| 948 |
|
|
|a Cataloged
|b h
|c 2016/9/14
|d c
|e AReeder
| f 2:56:24 PM
|
| 999 |
f |
f |
|s 252d12e2-ad5a-33bb-bc8f-df77cf5ebe39
|i 39b95ff4-83ff-366b-b4eb-f32467a4884a
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|s Evans stk
|d Evans: Library Stacks
|t 0
|e NX650.S68 B37 2016
|h Library of Congress classification
|i unmediated -- volume
|m A14843443855
|
| 998 |
f |
f |
|a NX650.S68 B37 2016
|t 0
|l Evans: Library Stacks
|