http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
xvii, 184 pages : illustrations ; 24 cm.
Foreword, Jeanine Leane -- Acknowledgments -- Note on orthography -- Chronology of key writings -- Introduction / Belinda Wheeler -- Kim Scott's publishing history in three contexts: Australian aboriginal, national and international / Per Henningsgaard -- Kim Scott's True country as aboriginal bildungsroman / Brenda Machosky -- The land holds all things: Kim Scott's Benang: a guide to postcolonial spatiality / Lisa Slater -- Kim Scott's Kayang and me: Noongar identity and evidence of connection to country / Christine Choo -- "Wreck/con/silly/nation": mimicry, strategic essentialism, and the "friendly frontier" in Kim Scott's That deadman dance / Arindam Das -- The international reception of Kim Scott's works: a case study featuring Benang / Gillian Whitlock and Roger Osborne -- Traumatic landscapes: inscribing spectrality and identity in Kim Scott's "A refreshing sleep," "Capture," and "An intimate act" / Lydia Saleh Rofail -- Spatial poetics and the uses of ekphrasis in Kim Scott's "Into the light" and other stories / Nathanael Pree -- The poetry of Kim Scott / Tony Hughes-D'Aeth -- The Wirlomin Project and Kim Scott: empowering regional narratives in a globalized world of literature / Natalie Quinlivan -- Kim Scott as boundary rider: exploring possibilities and new frontiers in aboriginal health / Rosalie Thackrah and Sandra Thompson -- An interview with Kim Scott / Belinda Wheeler.
Includes bibliographical references and index.