Sara VanDerBeek /

Made with the camera's perspective in mind, Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm. Operating as sites of contact, her works position the archaeological past in direct dialogue with current forms of di...

Full description

Bibliographic Details
Other Authors: VanDerBeek, Sara, 1976-, Sutton, Gloria (Editor), Marcoci, Roxana (Interviewer)
Format: Book
Language:English
Published: Ostfildern, Germany : Hatje Cantz, [2016]
Subjects:

MARC

Tag First Indicator Second Indicator Subfields
LEADER 00000cam a2200000 i 4500
001 in00003722913
005 20170926141811.0
008 151231t20162016gw a b 000 0 eng d
020 |a 9783775741088 
020 |a 3775741089 
035 |a (OCoLC)ocn933720277 
040 |a BTCTA  |e rda  |c BTCTA  |d BDX  |d YDX  |d NOC  |d GZN  |d TXA  |d UtOrBLW 
049 |a TXAM 
090 |a TR655  |b .V3644 2016 
100 1 |a VanDerBeek, Sara,  |d 1976-  |e artist.  |0 http://id.loc.gov/authorities/names/n2011045321 
245 1 0 |a Sara VanDerBeek /  |c [edited by Gloria Sutton]. 
264 1 |a Ostfildern, Germany :  |b Hatje Cantz,  |c [2016] 
264 4 |c ©2016 
300 |a 175 pages :  |b color illustrations ;  |c 30 cm. 
336 |a still image  |b sti  |2 rdacontent 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references. 
505 0 |a Sculpture, Photography, Surface / Ina Blom -- Sara VanDerBeek in Conversation with Roxana Marcoci: On the Conditions of Photo-Based Culture. 
520 |a Made with the camera's perspective in mind, Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm. Operating as sites of contact, her works position the archaeological past in direct dialogue with current forms of digital image capture and circulation. The subject of solo exhibitions at the Hammer Museum, the Whitney Museum of American Art, Museum Boijmans Van Beuningen, and the Baltimore Museum of Art Sara VanDerBeek (*1976, New York) has been internationally recognized as a key progenitor of contemporary art's engagement with the medium of photography in an expanded field. This first book-length study distills dscrete bodies of work made between 2006 and 2016 that shift between the more controlled space of the studio and site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Ecuador, Rotterdam and Baltimore. 
600 1 0 |a VanDerBeek, Sara,  |d 1976-  |0 http://id.loc.gov/authorities/names/n2011045321 
650 0 |a Photography, Artistic.  |0 http://id.loc.gov/authorities/subjects/sh85101269 
650 0 |a Photography, Abstract.  |0 http://id.loc.gov/authorities/subjects/sh85101262 
700 1 2 |a VanDerBeek, Sara,  |d 1976-  |t Works.  |k Selections (2016) 
700 1 |a Sutton, Gloria,  |e editor.  |0 http://id.loc.gov/authorities/names/n2005057717 
700 1 |a Marcoci, Roxana,  |e interviewer.  |0 http://id.loc.gov/authorities/names/n94080261 
700 1 |a Blom, Ina,  |e writer of added commentary.  |0 http://id.loc.gov/authorities/names/n94013835 
945 |a PromptCat 
948 |a cataloged  |b h  |c 2016/8/17  |d c  |e dmitchel  |f 12:44:16 pm 
994 |a C0  |b TXA 
999 f f |s f48cd57d-e73a-33d7-8c4d-976060775db5  |i dfe60cc5-402c-3dc0-a8f0-761dafafd5c0  |t 0 
952 f f |p normal  |a Texas A&M University  |b College Station  |c Sterling C. Evans Library  |d Evans: Library Stacks  |t 0  |e TR655 .V3644 2016  |h Library of Congress classification  |i unmediated -- volume  |m A14843428831 
998 f f |a TR655 .V3644 2016  |t 0  |l Evans: Library Stacks