The post-apocalyptic novel in the twenty-first century : modernity beyond salvage /
Since the beginning of the twenty-first century, major Anglophone authors have flocked to a literary form once considered lowbrow 'genre fiction,' the post-apocalyptic novel. Calling on her broad knowledge of the history of apocalyptic literature, Hicks examines the most influential post-a...
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| Format: | Book |
| Language: | English |
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New York :
Palgrave Macmillan,
2016.
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Table of Contents:
- Introduction: Modernity Beyond Salvage
- The Mother of All Apocalypses in Margaret Atwood's Oryx and Crake
- 'This Time Round': David Mitchell's Cloud Atlas and the Apocalyptic Problem of Historicism
- Friday at the End of the World: Apocalyptic Change and the Legacy of Robinson Crusoe in Cormac McCarthy's The Road and Jeanette Winterson's The Stone Gods
- 'Stop! Can You Hear the Eagle Roar?': Zombie Kitsch and the Apocalyptic Sublime in Colson Whitehead's Zone One
- 'The Raw Materials': Petromodernity, Retromodernity, and the Bildungsroman in Paolo Bacigalupi's Ship Breaker.