| Tag |
First Indicator |
Second Indicator |
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| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00003607067 |
| 005 |
20160108153409.0 |
| 008 |
150608s2015 enk b 001 0 eng |
| 010 |
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|a 2015022568
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| 035 |
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|a (OCoLC)ocn908418223
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| 040 |
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|a DLC
|e rda
|c DLC
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| 020 |
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|a 9781107117587 (hardback)
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| 020 |
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|a 1107117585 (hardback)
|
| 050 |
0 |
0 |
|a PR2982
|b .K37 2015
|
| 082 |
0 |
0 |
|a 822.3/3
|2 23
|
| 049 |
|
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|a TXAM
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| 100 |
1 |
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|a Karremann, Isabel,
|e author.
|
| 245 |
1 |
4 |
|a The drama of memory in Shakespeare's history plays /
|c Isabel Karremann.
|
| 264 |
|
1 |
|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 2015.
|
| 300 |
|
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|a x, 209 pages ;
|c 24 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
|
| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 520 |
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|a This book analyses the drama of memory in Shakespeare's history plays. Situating the plays in relation to the extra-dramatic contexts of early modern print culture, the Reformation and an emergent sense of nationhood, it examines the dramatic devices the theater developed to engage with the memory crisis triggered by these historical developments. Against the established view that the theatre was a cultural site that served primarily to salvage memories, Isabel Karremann also considers the uses and functions of forgetting on the Shakespearean stage and in early modern culture. Drawing on recent developments in memory studies, new formalism and performance studies, the volume develops an innovative vocabulary and methodology for analysing Shakespeare's mnemonic dramaturgy in terms of the performance of memory that results in innovative readings of the English history plays. Karremann's book is of interest to researchers and upper-level students of Shakespeare studies, early modern drama and memory studies.
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| 504 |
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|a Includes bibliographical references (pages 189-204) and index.
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| 505 |
0 |
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|a Introduction: forms of remembering and forgetting in early modern England and on the Shakespearean stage; 1. Media: oral report, written record and theatrical performance in 2 Henry VI and Richard III; 2. Ceremony: rites of oblivion in Richard II and 1 Henry IV; 3. Embodiment: Falstaff's 'shameless transformations' in Henry IV; 4. Distraction: nationalist oblivion and contrapuntal sequencing in Henry V; 5. Nostalgia: affecting spectacles and sceptical audiences in Henry VIII; Conclusion: Shakespeare's mnemonic dramaturgy; Bibliography; Index.
|
| 600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Histories.
|
| 650 |
|
0 |
|a Memory in literature.
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| 650 |
|
7 |
|a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
|2 bisacsh
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| 945 |
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|a PromptCat
|b 444576
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| 946 |
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|a stk
|
| 947 |
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|a A14843350860
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| 948 |
|
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|a cataloged
|b h
|c 2016/1/8
|d c
|e dmitchel
|f 3:30:30 pm
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|s 5035ea0d-4f35-3b56-ab7e-bcd8224d1c4d
|i 5b84a1a5-090b-37d8-ab1f-8d95a789c5bc
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PR2982 .K37 2015
|h Library of Congress classification
|i unmediated -- volume
|m A14843350860
|
| 998 |
f |
f |
|a PR2982 .K37 2015
|t 0
|l Evans: Library Stacks
|