62 Years and 6500 Miles Between.

62 Years and 6,500 Miles Between reworks the documentary form with its own set of expectations, while investigating historical, social and political phenomena via the personal. This film specifically examines how a postcolonial people negotiate the memory and translation essential to the reconstruct...

Full description

Bibliographic Details
Corporate Author: Kanopy (Firm)
Format: Video
Language:Undetermined
Language Notes:In English
Published: [San Francisco, California, USA] : Kanopy Streaming, 2015.
Subjects:
Online Access:Connect to this streaming video

MARC

Tag First Indicator Second Indicator Subfields
LEADER 00000cgm a2200000za 4500
001 in00003589839
006 m o c
007 vz uzazuu
007 cr una---unuuu
008 150908p20152005cau053 o vlund d
005 20260324182017.7
028 5 2 |a 1138433  |b Kanopy 
035 |a (CaSfKAN)kan1138433 
040 |a VDU  |b eng  |c VDU  |d UtOrBLW 
245 0 0 |a 62 Years and 6500 Miles Between. 
264 1 |a [San Francisco, California, USA] :  |b Kanopy Streaming,  |c 2015. 
300 |a 1 online resource (streaming video file) 
306 |a Duration: 53 minutes 
336 |a two-dimensional moving image  |b tdi  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Title from title frames. 
518 |a Originally produced by Anita Chang in 2005. 
520 |a 62 Years and 6,500 Miles Between reworks the documentary form with its own set of expectations, while investigating historical, social and political phenomena via the personal. This film specifically examines how a postcolonial people negotiate the memory and translation essential to the reconstruction and ultimately reclamation of a personal and national history. Translation and memory are the means by which we construct the past, yet both of these are delicate. For example, while emphasizing testimonials in light of an official history, I use images of contemporary Taiwan, instead of archival footage -; reflecting how a postcolonial people can sometimes only reimagine their past. Finally, in the telling of this history perhaps the film will spark dialogue about the nonfiction canon that is deeply driven by our desire to represent history - revisted or as a moment in time; a memory - however vivid or fleeting; and truth - whether perceived or felt. 
538 |a Mode of access: World Wide Web. 
546 |a In English 
500 |a Electronic resource. 
653 |a Asian and Middle Eastern Studies 
655 7 |a Nonfiction films.  |2 lcgft  |0 http://id.loc.gov/authorities/genreForms/gf2011026423 
655 7 |a Internet videos.  |2 lcgft  |0 http://id.loc.gov/authorities/genreForms/gf2011026337 
700 1 |a Chang, Anita,  |e filmmaker.  |0 http://id.loc.gov/authorities/names/no2003066011 
710 2 |a Kanopy (Firm)  |0 http://id.loc.gov/authorities/names/no2014091415 
856 4 0 |u http://proxy.library.tamu.edu/login?url=https://texasam.kanopystreaming.com/node/138434  |z Connect to this streaming video  |t 0 
999 f f |s 4907cb5e-ddcb-3894-8ab3-29ee0ad84cc8  |i f3dcb550-f405-356a-b940-6df6e31107d2  |t 0 
952 f f |a Texas A&M University  |b College Station  |c Electronic Resources  |s www_evans  |d Available Online  |t 0  |h No information provided 
998 f f |t 0  |l Available Online