Romantic poetry and literary coteries : the dialect of the tribe /
"How does Romantic poetry read if seen as the product of social authorship--the group language of coteries of writers, editors, publishers and critics--rather than as a series of verbal icons--original lyrics and romances composed by individual geniuses? Romantic Poetry and Literary Coteries ex...
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| Format: | Book |
| Language: | English |
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New York, NY :
Palgrave Macmillan,
2015.
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| Edition: | First edition. |
| Series: | Nineteenth-century major lives and letters.
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| Subjects: |
Table of Contents:
- Machine generated contents note:
- IntroductionPART I: "A SECT OF POETS": THE DIALECT OF FRIENDSHIP IN SOUTHEY, COLERIDGE, AND THEIR CIRCLES1. The Politicization of Allusion in Early Romanticism: Mary Robinson and the Bristol Poets 2. Brothers in Lore: Fraternity and Priority in Thalaba, "Christabel," "Kubla Khan" 3. Signifying Nothing: Coleridge's Visions of 1816
- Anti-Allusion and the Poetic Fragment4. Positioning The Missionary: Poetic Circles and the Development of Colonial Romance PART II: THE "RURAL TRIBE": LABORING CLASS POETS AND THE TRADITION5. The Production of a Poet: Robert Bloomfield, his Patrons, and his Publishers 6. Iamb yet what Iamb: Allusion and Delusion in John Clare's Asylum PoemsPART III: THE LINGO OF LONDONERS: THE "COCKNEY SCHOOL" 7. Romanticism Lite: Talking, Walking and Name Dropping in the Cockney Essay 8. Allusions of Grandeur: Prophetic Authority and the Romantic City.