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| LEADER |
00000cam a2200000 i 4500 |
| 001 |
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| 005 |
20170928134050.0 |
| 008 |
150407s2015 enk b 001 0 eng |
| 010 |
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|a 2015013187
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| 020 |
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|a 9781137471970 (hardback)
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| 020 |
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|a 1137471972 (hardback)
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|a (OCoLC)ocn906936738
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| 035 |
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|a (OCoLC)906936738
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| 040 |
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|a DLC
|b eng
|e rda
|c DLC
|d YDX
|d BTCTA
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|d OCLCF
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|d CDX
|d ERASA
|d OCLCO
|d UtOrBLW
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| 042 |
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|a pcc
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| 049 |
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|a TXAM
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| 050 |
0 |
0 |
|a PN1998.3.B47
|b W55 2015
|
| 082 |
0 |
0 |
|a 791.4302/33092
|2 23
|
| 084 |
|
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|a PER004030
|a SOC052000
|2 bisacsh
|
| 100 |
1 |
|
|a Williams, Dan,
|d 1964-
|e author.
|0 http://id.loc.gov/authorities/names/n2015021612
|
| 245 |
1 |
0 |
|a Klein, Sartre and imagination in the films of Ingmar Bergman /
|c Dan Williams.
|
| 264 |
|
1 |
|a Houndmills, Basingstoke, Hampshire ;
|a New York, NY :
|b Palgrave Macmillan,
|c 2015.
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| 300 |
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|a vii, 236 pages ;
|c 23 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 520 |
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|a "The author brings together ideas from film studies, psychoanalysis and philosophy for a study of key films in the career of Ingmar Bergman. Drawing on ideas from Melanie Klein and Jean-Paul Sartre, films ranging from Summer with Monika to Hour of the Wolf are examined in detail. The book argues that Bergman, Klein and Sartre are connected through their central focus on imagination, and that this shared preoccupation represents a challenging alternative to dominant theories in the analysis of film and culture. "--
|c Provided by publisher.
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| 504 |
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|a Includes bibliographical references (pages 223-228) and index.
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| 505 |
8 |
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|a Machine generated contents note: -- List of FiguresAcknowledgements1. The Imagination: Bergman, Klein and Sartre2.From Freud to Klein, and Wild Strawberries 3.Sartre's Theory of Imagination and The Seventh Seal4.From Three Early Bergman Films to an Analysis of Summer with Monika 5.Revenge and Reparation in The Virgin Spring6.The Destruction of the Artist: Hour of the Wolf7.ConclusionBibliographyFilmography Index.
|
| 600 |
1 |
0 |
|a Bergman, Ingmar,
|d 1918-2007
|x Criticism and interpretation.
|
| 650 |
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0 |
|a Imagination in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh2004007624
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| 650 |
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0 |
|a Psychoanalysis and motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh88003429
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| 650 |
|
7 |
|a PERFORMING ARTS / Film & Video / History & Criticism.
|2 bisacsh
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| 650 |
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7 |
|a SOCIAL SCIENCE / Media Studies.
|2 bisacsh
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 600 |
1 |
7 |
|a Bergman, Ingmar,
|d 1918-2007.
|2 fast
|0 (OCoLC)fst01440123
|
| 650 |
|
7 |
|a Imagination in motion pictures.
|2 fast
|0 (OCoLC)fst01201476
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| 650 |
|
7 |
|a Psychoanalysis and motion pictures.
|2 fast
|0 (OCoLC)fst01081275
|
| 938 |
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|a Baker and Taylor
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|a Erasmus Boekhandel
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|a Cataloged
|b h
|c 2015/9/25
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| 952 |
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f |
|p newbook
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: New Book Shelves (1st floor)
|t 0
|e PN1998.3.B47 W55 2015
|h Library of Congress classification
|i unmediated -- volume
|m A14842904360
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| 998 |
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|a PN1998.3.B47 W55 2015
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