| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00003583751 |
| 005 |
20170928133217.0 |
| 008 |
150407s2015 enk b 001 0 eng |
| 010 |
|
|
|a 2015013189
|
| 020 |
|
|
|a 9781137444370 (hardback)
|
| 020 |
|
|
|a 1137444371 (hardback)
|
| 024 |
8 |
|
|a 40025168380
|
| 035 |
|
|
|a (OCoLC)ocn906936739
|
| 035 |
|
|
|a (OCoLC)906936739
|
| 040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d YDX
|d BTCTA
|d BDX
|d OCLCF
|d YDXCP
|d CDX
|d ERASA
|d OCLCO
|d UtOrBLW
|
| 042 |
|
|
|a pcc
|
| 049 |
|
|
|a TXAM
|
| 050 |
0 |
0 |
|a PN1995.9.S66955
|b W55 2015
|
| 082 |
0 |
0 |
|a 791.43/6164
|2 23
|
| 084 |
|
|
|a SOC051000
|a SOC052000
|2 bisacsh
|
| 100 |
1 |
|
|a Wilson, Laura,
|d 1984-
|e author.
|0 http://id.loc.gov/authorities/names/n2015021627
|
| 245 |
1 |
0 |
|a Spectatorship, embodiment and physicality in the contemporary mutilation film /
|c Laura Wilson.
|
| 264 |
|
1 |
|a Houndmills, Basingstoke, Hampshire ;
|a New York, NY :
|b Palgrave Macmillan,
|c 2015.
|
| 300 |
|
|
|a viii, 192 pages ;
|c 23 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 520 |
|
|
|a "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in the viewer's body. Combining close textual analyses with theoretical approaches, and traversing a number of national cinemas, Wilson draws upon psychoanalytic, phenomenological and feminist theories of film and spectatorship to explore specific aspects of this often overlooked group of films, aspects such as the assault narrative sequence, the use of extreme frequencies, and haptic sounds and images"--
|c Provided by publisher.
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
8 |
|
|a Machine generated contents note: -- List of FiguresIntroduction 1. Embodied Voyeurism 2. Mutilation as Spectacle 3. Representing the Unrepresentable: Self-Harm as Affect 4. Extreme Frequencies 5. The Gut Conclusion Bibliography Filmography Index.
|
| 650 |
|
0 |
|a Splatter films
|x History and criticism.
|
| 650 |
|
0 |
|a Violence in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85143526
|
| 650 |
|
0 |
|a Motion picture audiences.
|0 http://id.loc.gov/authorities/subjects/sh85088029
|
| 650 |
|
7 |
|a SOCIAL SCIENCE / Violence in Society.
|2 bisacsh
|
| 650 |
|
7 |
|a SOCIAL SCIENCE / Media Studies.
|2 bisacsh
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 650 |
|
7 |
|a Motion picture audiences.
|2 fast
|0 (OCoLC)fst01027116
|
| 650 |
|
7 |
|a Splatter films.
|2 fast
|0 (OCoLC)fst01746941
|
| 650 |
|
7 |
|a Violence in motion pictures.
|2 fast
|0 (OCoLC)fst01167293
|
| 938 |
|
|
|a Baker and Taylor
|b BTCP
|n BK0016951926
|
| 938 |
|
|
|a Brodart
|b BROD
|n 112245250
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 12317362
|
| 938 |
|
|
|a Coutts Information Services
|b COUT
|n 31027567
|
| 938 |
|
|
|a Erasmus Boekhandel
|b ERAA
|n NTS0000200662
|
| 947 |
|
|
|a A14842900509
|
| 945 |
|
|
|a PromptCat
|b 312898
|
| 946 |
|
|
|a stk
|
| 994 |
|
|
|a 92
|b TXA
|
| 948 |
|
|
|a Cataloged
|b h
|c 2015/9/14
|d c
|e AReeder
| f 1:21:43 PM
|
| 999 |
f |
f |
|s 3745fa46-a68d-3c3d-b2ef-e8a18b2ac745
|i 567191b2-1346-3cda-89d3-70c67f553706
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|s Evans stk
|d Evans: Library Stacks
|t 0
|e PN1995.9.S66955 W55 2015
|h Library of Congress classification
|i unmediated -- volume
|m A14842900509
|
| 998 |
f |
f |
|a PN1995.9.S66955 W55 2015
|t 0
|l Evans: Library Stacks
|