rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Dance and British literature
    sub title: an intermedial encounter : (Theory - Typology - Case Studies)
  name:
    name part: Marcsek-Fuchs, Maria
    role:
      role term: creator
    role:
      role term: author.
  name:
    name part: ebrary, Inc
  type of resource: text
  genre: bibliography
  genre: Electronic books.
  origin info:
    place:
      place term: ne
    date issued: 2015
    copyright date: 2015
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: remote
    extent: 1 online resource.
  table of contents: Dance and British Literature: An Intermedial Encounter; Copyright; Contents; Acknowledgements; 1. Introduction; 2. THEORY: Mediality and Literalised Dance; 2.1. Definition of Medium; 2.2. Literature as Medium; 2.2.1. A Semiotic Perspective on Literature; 2.2.2. From a Semiotic to a Cultural Perspective on Literature; 2.3. Dance as Medium; 2.3.1. General Statements; 2.3.2. A Semiotic Perspective on Dance; 2.3.2.1. Movement; 2.3.2.2. Time; 2.3.2.3. Space; 2.3.3. From a Semiotic through a Cultural to an Intermedial Perspective on Dance
  table of contents: 2.3.3.1. Dance Genres as Markers of Class, National Identity, and Gender2.3.3.2. The Body and Signification; 3. TYPOLOGY: Literalised Dance as Intermedial Encounter; 3.1. Intermediality as a Concept; 3.2. Toward a Typology of Literalised Dance; 3.2.1. A Semiotic Approach; 3.2.1.1. Extra-compositional Intermediality; 3.2.1.2. Intra-compositional Intermediality; 3.2.2. A Cultural Approach; 3.2.2.1. Literalised Dance as a Platform for Cultural Discourse; 3.2.2.2. Representations of Dance Culture in Poetry and Caricature; 4. CASE STUDIES: Literalised Dance in British Drama
  table of contents: 4.1. Dance in British Drama from the Renaissance to the 18th Century4.1.1. Plurimediality in Renaissance Masques-Dance as Allegory of Order: Jonson's Hymenaei and Shakespeare's The Tempest, Jonson's Pleasure Reconciled to Virtue, Milton's Comus; 4.1.2. Intermedial Reference and Cultural Ridicule in Restoration and 18th Century Comedy: Wycherley's The Gentleman Dancing Master, Sheridan's The Rivals; 4.2. Dance in British Drama of the 19th Century; 4.2.1. Popular Literature and the Waltz; 4.2.1.1. The Waltz: A Public Scandal and its Poetic Representations
  table of contents: 4.2.1.2. The Waltz in 19th Century 'Illegitimate' Drama4.2.2. Elitist Drama and Modern Dance; 4.2.2.1. Presence through Absence: Oscar Wilde's Salome; 4.2.2.2. The Revolution of Modernism: Yeats and Modern Dance; 5. Conclusion; Works Cited; List of Illustrations; Index
  note: by Maria Marcsek-Fuchs.
  note: Electronic resource.
  note: Includes bibliographical references and index.
  subject:
    topic: Typology (Linguistics)
  subject:
    topic: Linguistic universals
  classification: P204 .M373 2015
  classification: 410.1
  related item:
    title info:
      title: Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies)
    name:
      name part: Marcsek-Fuchs, Maria.
    origin info:
      publisher: Leiden, Netherlands ; Boston, [Massachusetts] : Brill Rodopi, c2015
    physical description:
      extent: viii, 298 pages
    identifier: 1871-8787
    identifier: 2015930709
  related item:
    title info:
      title: Studies in intermediality ; Volume 8
  identifier: 9789004292567
  identifier: 9789004292581 (e-book)
  identifier: 9004292586 (e-book)
  identifier: https://ebookcentral.proquest.com/lib/tamucs/detail.action
  related item:
    location:
      url: https://ebookcentral.proquest.com/lib/tamucs/detail.action
  record info:
    record content source: NhCcYBP
    record creation date: 150313
    record change date: 20250816224208.2
    record identifier: in00003532798