http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
balancing art and truth in contemporary film
xviii, 203 pages : illustrations ; 24 cm.
The loss of photographic objectivity: Anonioni's Blowup -- The photograph in the inverted noir film: love crimes -- Photographic evidence and detecting truth -- Alice in furs -- Media hype and Mona Lisa -- The portrait photographer: Pecker, The governess and closer -- Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture -- Strange loops dystopian films from Invisible adversaries to Inception -- Over the edge? the photograph and The circuit -- Adorno, Benjamin and hope for the photograph, In the good night -- Filmography.
Includes bibliographical references, filmography and index.
9781442245235 (hardcover alkaline paper)