Table of Contents:
  • Introduction
  • Graphic Fictions of Japanese Immigration to Brazil: Pop Cosmopolitan Mobility and the Disjunctive Temporalities of Migration
  • Otaku Culture and the Virtuality of Immaterial Labor in Mauricio de Sousa's Turma da Monica Jovem
  • Ekphrastic Anxiety in Virtual Brazil: Photographing Japan in the Fiction of Alberto Renault
  • Paranoid Orientalism in Bernardo Carvalho's O sol se põe em São Paulo
  • Paulo Leminski's Haiku and the Disavowed Orientalism of the Poesia Concreta Project
  • Moving Images of Japanese Immigration: The Photography of Haruo Ohara
  • Afterword.