Documentary films in India : critical aesthetics at work /
"This book introduces the diverse practices of documentary films in India. It examines the oeuvres of three non-canonical practitioners: ethnographic filmmaker, David MacDougall; northeast India-based moving-image artists group, Desire Machine Collective; and avant-garde filmmaker and cinema ph...
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Houndmills, Basingstoke, Hampshire ; New York, NY :
Palgrave Macmillan,
2015.
|
| Subjects: |
| Summary: | "This book introduces the diverse practices of documentary films in India. It examines the oeuvres of three non-canonical practitioners: ethnographic filmmaker, David MacDougall; northeast India-based moving-image artists group, Desire Machine Collective; and avant-garde filmmaker and cinema philosopher, Kumar Shahani. Sharma offers in-depth analysis of these practitioners' distinct documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India. The book commences with an overview of the factors that have shaped the political contours of documentary-making in India, before introducing the select practitioners as a counter-point to the dominant and canonical tendencies of documentary films in India. Three sections of the book take up one filmmaker each, whose oeuvre is studied in-depth with a view to explore and articulate how the critical discourse and aesthetic strategies of their films evolve"-- |
|---|---|
| Physical Description: | xiii, 276 pages ; 23 cm |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781137395436 1137395435 |