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Katherine Mansfield and continental Europe
Katherine Mansfield and Continental Europe offers new interpretations of Katherine Mansfield's work by bringing together recent biographical and critical-theoretical approaches to her life and art. It features chapters on Mansfield's reception in Europe and her own translations of other European writers, new biographical and critical interpretations of her early 'difficult' period in Bavaria and her connections to Poland, connections with other authors both contemporary and historical, notions of identity, the self and 'home' and finally a reinterpretation and reassessment of her stories set in Europe. Katherine Mansfield and Continental Europe aims to fill a perceived gap in the market on Mansfield studies and will be of value for students, general readers and scholars of Mansfield alike.
Introduction PART I: RECEPTION 1.An 'utterly concrete and yet impalpable' Art: The Early Reception of Katherine Mansfield in Italy (1922-1952); Maurizio Ascari 2.Katherine Mansfield's Early Translations and Reception in Hungary; Nora Sellei 3. 'My dear, incomparable, priceless, Katerina Mansfieldova;' -- The Reception and Translations of Katherine Mansfield in (the former) Czechoslovakia; Janka Kascakova PART II. POLAND AND GERMAN 4.'That Pole outside our door': Floryan Sobieniowski and Katherine Mansfield; Gerri Kimber 5.Katherine Mansfield and Stanislaw Wyspianski: Meeting Points; Miroslawa Kubasiewicz 6.Katherine Mansfield's Germany: 'these pine trees provide most suitable accompaniment for a trombone!'; Delia da Sousa Correa PART III. CONNECTIONS WITH OTHER AUTHORS 7.'Liaisons continentales': Katherine Mansfield, S.S. Koteliansky and the Art of Modernist Translation; Claire Davison 8.'There is always the other side, always': Katherine Mansfield's and Jean Rhys's Travellers in Europe; Angela Smith,9.The Beauchamp Connection; Jennifer Walker PART IV. IDENTITY, 'THE SELF' AND 'HOME' 10. 'How can one look the part and not be the part?': National Identity in Katherine Mansfield's 'An Indiscreet Journey', 'Je ne parle pas français', and 'Miss Brill'; Erika Baldt 11.'Strange flower, half opened': Katherine Mansfield and the Flowering of 'the Self'; Kathryn Simpson 12.The 'dream of roots and the mirage of the journey': Writing as Homeland in Katherine Mansfield; Patricia MoranPART V. REASSESSING THE FICTION 13.Katherine Mansfield's Stories 1909-1914: The Child and the 'Childish'; Janet Wilson 14.Katherine Mansfield and the Fictions of Continental Europe; C.K. SteadBibliographyIndex.
edited by Janka Kascakova and Gerri Kimber.
Includes bibliographical references (pages 252-258) and index.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh