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|z 3540600213 (Berlin : hardcover : acid-free paper)
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|z 9783540600213 (Berlin : hardcover : acid-free paper)
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|z 9783642852152
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|z 3642852157
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|a 10.1007/978-3-642-85213-8
|2 doi
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| 035 |
|
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|a (OCoLC)645907085
|z (OCoLC)646633707
|z (OCoLC)851382852
|z (OCoLC)858931259
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| 040 |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCO
|d AU@
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|d OCLCQ
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|a dlr
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| 049 |
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|a TXAM
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|a ML3838
|b .L46 1995
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|a WV 272
|b L547m 1995
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|a PHDS
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|
| 100 |
1 |
|
|a Leman, Marc,
|d 1958-
|
| 245 |
1 |
0 |
|a Music and schema theory :
|b cognitive foundations of systematic musicology /
|c Marc Leman.
|
| 264 |
|
1 |
|a Berlin ;
|a New York :
|b Springer,
|c [1995]
|
| 264 |
|
4 |
|c ©1995
|
| 300 |
|
|
|a 1 online resource (xiii, 234 pages) :
|b illustrations.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
|
| 338 |
|
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|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Springer series in information sciences ;
|v 31
|
| 504 |
|
|
|a Includes bibliographical references (pages 211-224) and index.
|
| 505 |
0 |
|
|a 1. Introduction -- 2. Tone Semantics -- 3. Pitch as an Emerging Percept -- 4. Defining the Framework -- 5. Auditory Models of Pitch Perception -- 6. Schema and Learning -- 7. Learning Images-out-of-Time -- 8. Learning Images-in-Time -- 9. Schema and Control -- 10. Evaluation of the Tone Center Recognition Model -- 11. Rhythm and Timbre Imagery -- 12. Epistemological Foundations -- 13. Cognitive Foundations of Systematic Musicology -- A. Orchestra Score in CSOUND -- B. Physiological Foundations of the Auditory Periphery -- C. Normalization and Similarity Measures.
|
| 538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
| 583 |
1 |
|
|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
| 520 |
|
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|a Music and Schema Theory Music is an important domain of application for schema theory. The perceptual structures for pitch and timbre have been mapped via schemata, with results that have contributed to a better understanding of music perception. Yet we still need to know how a schema comes into existence, or how it functions in a particular perception task. This book provides a foundation for the understanding of the emergance and functionality of schemata by means of computer-based simulations of tone center perception. It is about how memory structures self-organize and how they use contextual information to guide perception.
|
| 588 |
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|a Description based on print version record.
|
| 500 |
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|a Electronic resource.
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| 650 |
|
0 |
|a Musical perception.
|
| 650 |
|
0 |
|a Schemas (Psychology)
|
| 650 |
1 |
2 |
|a Music.
|
| 650 |
1 |
2 |
|a Auditory Perception.
|
| 650 |
2 |
2 |
|a Cognition.
|
| 650 |
2 |
2 |
|a Models, Theoretical.
|
| 650 |
1 |
7 |
|a Muziekwetenschap.
|2 gtt
|
| 650 |
1 |
7 |
|a Psychologische aspecten.
|2 gtt
|
| 650 |
|
7 |
|a Musical perception.
|2 fast
|0 (OCoLC)fst01030788
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| 650 |
|
7 |
|a Schemas (Psychology)
|2 fast
|0 (OCoLC)fst01106663
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| 653 |
0 |
|
|a Music
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| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 710 |
2 |
|
|a SpringerLink (Online service)
|
| 776 |
1 |
8 |
|i Print version:
|w (DLC) 95004478
|w (OCoLC)32781173
|
| 830 |
|
0 |
|a Springer series in information sciences ;
|v 31.
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://link.springer.com/10.1007/978-3-642-85213-8
|z Connect to the full text of this electronic book
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| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|s www_evans
|d Available Online
|t 0
|e ML3838 .L46 1995
|h Library of Congress classification
|
| 998 |
f |
f |
|a ML3838 .L46 1995
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|l Available Online
|