Screenwriters and screenwriting : putting practice into context /
| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
Houndmills, Basingstoke, Hampshire ; New York :
Palgrave Macmillan,
2014.
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| Subjects: |
Table of Contents:
- Introduction
- Screenwriters and their screenplays. White space: an approach to the practice of screenwriting as poetry / Elisabeth Lewis Corley and Joseph Megel
- Narrating voices in the screenplay text: how the writer can direct the reader's visualisations of the potential film / Ann Ingelstrom
- Writing horror: blending theory with practice / Shaun Kimber
- Beyond the screenplay: memoir and family relations in three films by Gaylene Preston / Hester Joyce
- Costume as character arc: how emotional transformation is written into the dressed body / Craig Batty
- Screenwriting and the development process. Developing the screenplay: stepping into the unknown / Margot Nash
- "The Irish Film Board: gatekeeper or facilitator?: the experience of the Irish screenwriter / Døóg O'Connell
- First impressions: debut features by Irish screenwriters / Susan Liddy
- "Sorry blondie, I don't do backstory!" script editing: the invisible craft / Paul Wells
- Scripting the real: Mike Leigh's practice as antecedent to contemporary reality tv texts the only way is Essex and made in Chelsea / Peri Bradley
- Screenwriting and authorship. Based on a true story: negotiating collaboration, compromise and authorship in the script development process / Alec McAulay
- Sarah Phelps on writing television: adaptation, collaboration, and the screenwriter's voice / Kate Iles
- Working the writers' room: the context, the creative space and the collaborations of Danish television series Borgen / Eva Novrup Redvall
- And the screenwriter created man: male characterisation in bromance and bromedy / Helen Jacey
- Gals who make the jokes: feature film screenwriting for the satirical female voice / Marilyn Tofler
- Self-reflexive screenwriting and LGBT identity: framing and indirectly reading the self / Christopher Pullen.