Ethical speculations in contemporary British theatre /
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York :
Palgrave Macmillan,
2014.
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| Subjects: |
Table of Contents:
- To Begin to Speculate : Theatre Studies, Ethics and Spectatorship / Mireia Aragay
- Part I: (Post-)Holocaust Representations
- Violence, Testimony and Ethics in Martin Crimp's The Country and The City / Clara Escoda
- Bearing Witness and Ethical Responsibility in Harold Pinter's Ashes to Ashes / Hanna Scolnicov
- How to Mourn : Kane, Pinter and Theatre as Monument to Loss in the 1990s / Mark Taylor-Batty
- Part II: Theoretical Speculations
- Two : Duologues and the Differend / Dan Rebellato
- The Undecidable and the Event : Ethics of Unrest in Martin Crimp's Attempts on Her Life and debbie tucker green's truth and reconciliation / Martin Middeke
- Part III: Spectatorial Ethics
- Playing with Proximity : Precarious Ethics on Stage in the New Millennium / Clare Wallace
- Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens / Vicky Angelaki
- Witnessing, Sexualized Spectatorship and the (De)construction of Queer Identities in Mother Clap's Molly House, The Pride and Cock / Enric Monforte
- Part IV: Ethics and Institutions
- From Front Page to Front Stage : War Correspondents and Media Ethics in British Theatre / Christiane Schlote
- Kicking Tots and Revolutionary Trots : The English Stage Company Young People's Theatre Scheme 1969-70 / Graham Saunders.