The films of Wes Anderson : critical essays on an Indiewood icon /
| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Palgrave Macmillan,
2014.
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| Edition: | First edition. |
| Subjects: |
Table of Contents:
- Introduction: the Wonderful Worlds of Wes Anderson / Peter C. Kunze
- The Short Films of Wes Anderson / Nicole Richter
- Cast of Characters: Wes Anderson and Pure Cinematic Characterization / Kim Wilkins
- The Jellyfish and the Moonlight: Imagining the Family in Wes Anderson's Films / Steven Rybin
- "Max Fischer Presents": Wes Anderson and the Theatricality of Mourning / Rachel Joseph
- "Who's to Say"?: The Role of Pets in Wes Anderson's Films / C. Ryan Knight
- "American Empirical" Time and Space: The (In)Visibility of Popular Culture in the Films of Wes Anderson / Jason Davids Scott
- From the Mixed-Up Films of Mr. Wesley W. Anderson: Children's Literature as Intertexts / Peter C. Kunze
- A Shared Approach to Familial Dysfunction and Sound Design: Wes Anderson's Influence on the Films of Noah Baumbach / Jennifer O'Meara
- Bill Murray and Wes Anderson, or the Curmudgeon as Muse / Colleen Kennedy-Karpat
- Life on Mars or Life on the Sea: Seu Jorge, David Bowie, and the Musical World in Wes Anderson's The Life Aquatic with Steve Zissou / Lara Hrycaj
- The Andersonian, the Quirky, and "Innocence" / James MacDowell
- "I Always Wanted to be a Tenenbaum": Class Mobility as Neoliberal Fantasy in Wes Anderson's The Royal Tenenbaums / Jen Hedler Phillis
- Objects/Desire/Oedipus: Wes Anderson as Late Capitalist Auteur / Joshua Gooch
- Systems Thinking in The Life Aquatic with Steve Zissou and Moonrise Kingdom / Laura Shackelford.