Wonderlands of the avant-garde : technology and the arts in Russia of the 1920s /
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| Format: | eBook |
| Language: | English |
| Published: |
Evanston, Ill. :
Northwestern University Press,
2013.
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| Series: | Studies in Russian literature and theory.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Introduction: imaginative and instrumental technologies
- Part 1. Homo faber, homo ludens
- Poetry in motion: Aleksei Gastev and the aesthetic origins of soviet Biomechanics
- The biomechanics of infidelity: range of motion and limits of control in Meyerhold's theater
- Part 2. Alternative technologies
- Writing as bodily technology in Zamyatin's We, or a portrait of an avant-garde artist as a malfunctioning machine
- The incredible heights of organic architecture: tatlin, Khlebnikov, and the technological sublime
- Olesha's suicide machine
- Part 3. The homeland of technology
- Convention, play, and technology in Russian explorers' American discoveries
- Red Pinkertons: adventures in artificial reality
- Conclusion: poetics of the unconscriptable.