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120815s2012 ohu o d eng d |
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|z 2012032543
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|a 9780821444337
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|a 0821444336
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|z 9780821420157 (pb : alk. paper)
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|z 0821420151
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|a PN1995.9.A43
|b H65 2012
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|a 791.43/651
|2 23
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| 245 |
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|a Hollywood's Africa after 1994 /
|c edited by MaryEllen Higgins.
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| 264 |
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1 |
|a Athens :
|b Ohio University Press,
|c 2012.
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| 300 |
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|a 1 online resource (288 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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| 338 |
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|a online resource
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| 504 |
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|a Includes bibliographical references and index.
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|a Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz.
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|a Description based on print version record.
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| 500 |
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|a Electronic resource.
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| 651 |
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|a Africa
|x In motion pictures.
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| 650 |
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|a Motion pictures
|z United States
|x History
|y 21st century.
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| 650 |
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|a Culture conflict in motion pictures.
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| 650 |
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|a Imperialism in motion pictures.
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| 650 |
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|a Human rights in motion pictures.
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 700 |
1 |
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|a Higgins, MaryEllen,
|d 1967-
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| 856 |
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|u http://proxy.library.tamu.edu/login?url=http://muse.jhu.edu/books/9780821444337/
|z Connect to the full text of this electronic book
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|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
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|e PN1995.9.A43 H65 2012
|h Library of Congress classification
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| 998 |
f |
f |
|a PN1995.9.A43 H65 2012
|t 0
|l Available Online
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