MARC

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008 120815s2012 ohu o d eng d
010 |z  2012032543 
020 |a 9780821444337 
020 |a 0821444336 
020 |z 9780821420157 (pb : alk. paper) 
020 |z 0821420151 
035 |a (MdBmJHUP)muse9780821444337 
040 |a MdBmJHUP  |c MdBmJHUP  |d UtOrBLW 
043 |a f------  |a n-us--- 
050 0 0 |a PN1995.9.A43  |b H65 2012 
082 0 0 |a 791.43/651  |2 23 
245 0 0 |a Hollywood's Africa after 1994 /  |c edited by MaryEllen Higgins. 
264 1 |a Athens :  |b Ohio University Press,  |c 2012. 
300 |a 1 online resource (288 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. 
588 |a Description based on print version record. 
500 |a Electronic resource. 
651 0 |a Africa  |x In motion pictures. 
650 0 |a Motion pictures  |z United States  |x History  |y 21st century. 
650 0 |a Culture conflict in motion pictures. 
650 0 |a Imperialism in motion pictures. 
650 0 |a Human rights in motion pictures. 
655 7 |a Electronic books.  |2 local 
700 1 |a Higgins, MaryEllen,  |d 1967- 
856 4 0 |u http://proxy.library.tamu.edu/login?url=http://muse.jhu.edu/books/9780821444337/  |z Connect to the full text of this electronic book  |t 0 
999 |a MARS 
999 f f |s 4af9f6b9-3d49-33e2-9940-2285bbcf801d  |i a7a63cc4-bb90-3fb9-b9ff-32c099677900  |t 0 
952 f f |a Texas A&M University  |b College Station  |c Electronic Resources  |d Available Online  |t 0  |e PN1995.9.A43 H65 2012  |h Library of Congress classification 
998 f f |a PN1995.9.A43 H65 2012  |t 0  |l Available Online