Table of Contents:
  • Introduction
  • Writers, film, and the new visual landscape of Rio de Janeiro. Documenting new urban experiences: the cinematic work of the Crônica
  • Comic visions of the new city: writers and film production during the Belle Époque of Brazilian cinema
  • Writers, film, and alternative visions of Rio de Janeiro. Envisioning a new political landscape: Martin Fontes's anarchist flirtation with film
  • Women, Rio's modernity, and film's visual pleasures: Benjamin Costallat's Mademoiselle Cinema
  • Conclusion. Reviving the lettered city.