The Oxford handbook of new audiovisual aesthetics /

Bibliographic Details
Other Authors: Richardson, John, 1964- (Editor), Gorbman, Claudia (Editor), Vernallis, Carol (Editor)
Format: Book
Language:English
Published: New York, NY : Oxford University Press, [2013]
Subjects:
Table of Contents:
  • Introduction / John Richardson and Claudia Gorbman
  • Theoretical pressure points
  • Classical music for the posthuman condition / Lawrence Kramer
  • Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook
  • The audio-logo-visual and the sound of languages in recent film / Michel Chion
  • The end of diegesis as we know it? / Anahid Kassabian
  • Sounding out film / Steven Connor
  • Narrative, genre, meaning: changing times, changing practices
  • Audio-visual space in an era of technological convergence / Robynn J. Stilwell
  • Title Sequences for contemporary television serials / Annette Davison
  • No country for old music / Carter Burwell
  • Cue the big theme? the sound of the superhero / Janet K. Halfyard
  • Video speech in Latin America / Michael Chanan
  • Animated sounds
  • Pixar and the animated soundtrack / Daniel Goldmark
  • Notes on sound design in contemporary animated films / Randy Thom
  • Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott
  • Musical moments and transformations
  • The mutating musical and The sound of music / Caryl Flinn
  • Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao
  • The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson
  • Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy
  • Expanded soundtracks
  • Sensory aspects of contemporary cinema / Michel Chion
  • The sound of intensified continuity / Jeff Smith
  • Extending film aesthetics: audio beyond visuals / K.J. Donnelly
  • The audiovisual construction of transgender identity in Transamerica / Susanna Välimäki
  • Soundscapes of Istanbul in Turkish film soundtracks / Meri Kytö
  • Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold
  • Emerging audiovisual forms: music video and beyond
  • Music video's second aesthetic / Carol Vernallis
  • Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins
  • The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis
  • Music video transformed / Mathias Bonde Korsgaard
  • Video, film, and installation art
  • "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers
  • Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh
  • Gaming
  • Contextualizing game audio aesthetics / Rob Bridget
  • Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins
  • Multi-channel gaming aesthetics of interactive surround / Mark Kerins
  • Audiovisuality in perfprmabce and daily life
  • Sound and vision: the audio/visual economy of musical performance / Philip Auslander
  • Foreground flatland / Joseph Lanza
  • Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull
  • On soundscape methods and audiovisual sensibility / Helmi Järviluoma and Noora Vikman
  • Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora.