The Oxford handbook of new audiovisual aesthetics /
| Other Authors: | , , |
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| Format: | Book |
| Language: | English |
| Published: |
New York, NY :
Oxford University Press,
[2013]
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| Subjects: |
Table of Contents:
- Introduction / John Richardson and Claudia Gorbman
- Theoretical pressure points
- Classical music for the posthuman condition / Lawrence Kramer
- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook
- The audio-logo-visual and the sound of languages in recent film / Michel Chion
- The end of diegesis as we know it? / Anahid Kassabian
- Sounding out film / Steven Connor
- Narrative, genre, meaning: changing times, changing practices
- Audio-visual space in an era of technological convergence / Robynn J. Stilwell
- Title Sequences for contemporary television serials / Annette Davison
- No country for old music / Carter Burwell
- Cue the big theme? the sound of the superhero / Janet K. Halfyard
- Video speech in Latin America / Michael Chanan
- Animated sounds
- Pixar and the animated soundtrack / Daniel Goldmark
- Notes on sound design in contemporary animated films / Randy Thom
- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott
- Musical moments and transformations
- The mutating musical and The sound of music / Caryl Flinn
- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao
- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson
- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy
- Expanded soundtracks
- Sensory aspects of contemporary cinema / Michel Chion
- The sound of intensified continuity / Jeff Smith
- Extending film aesthetics: audio beyond visuals / K.J. Donnelly
- The audiovisual construction of transgender identity in Transamerica / Susanna Välimäki
- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kytö
- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold
- Emerging audiovisual forms: music video and beyond
- Music video's second aesthetic / Carol Vernallis
- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins
- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis
- Music video transformed / Mathias Bonde Korsgaard
- Video, film, and installation art
- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers
- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh
- Gaming
- Contextualizing game audio aesthetics / Rob Bridget
- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins
- Multi-channel gaming aesthetics of interactive surround / Mark Kerins
- Audiovisuality in perfprmabce and daily life
- Sound and vision: the audio/visual economy of musical performance / Philip Auslander
- Foreground flatland / Joseph Lanza
- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull
- On soundscape methods and audiovisual sensibility / Helmi Järviluoma and Noora Vikman
- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora.