Table of Contents:
  • Cover; Title Page; Copyright Page; Table of Contents; The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations; PART I Imperial Impostures and Improprieties; 1. The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves; 2. Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Nā Iwi as Postcolonial Neo-Victorian Gothic; 3. Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen.
  • 4. A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location / Re-Location as Neo-Victorian GothicPART II The Horrid and the Sexy; 5. Neo-Victorian Gothic and Spectral Sexuality in Colm Tóibín's The Master; 6. 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth; 7. Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction; 8. Neo-Victorian Female Gothic: Fantasies of Self-Abjection; PART III Hybrid Forms; 9. Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam.
  • 10. Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic11. 'Fear Is Fun and Fun Is Fear': A Reflexion on Humour in Neo-Victorian Gothic; Contributors; Index.