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| 001 |
in00002784024 |
| 005 |
20210728125010.0 |
| 006 |
m o d |
| 007 |
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| 008 |
120528s2012 enka ob 001 0 eng d |
| 019 |
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|a 779616097
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| 020 |
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|a 1118106695
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|a 1118106725 (electronic bk.)
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|a 9781118106693
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| 020 |
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|a 9781118106723 (electronic bk.)
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| 035 |
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|a (OCoLC)794327520
|z (OCoLC)779616097
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| 035 |
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|a (OCoLC)ocn794327520
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| 035 |
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|a 4040433
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| 037 |
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|a 10.1002/9781118106723
|b Wiley InterScience
|n http://www3.interscience.wiley.com
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| 040 |
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|a EBLCP
|c EBLCP
|d DG1
|d YDXCP
|d UIU
|d TXA
|d UtOrBLW
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| 049 |
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|a TXAM
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| 050 |
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4 |
|a HM851
|b .H3676 2012eb
|
| 082 |
0 |
4 |
|a 302.23
|
| 100 |
1 |
|
|a Hartley, John,
|d 1948-
|0 http://id.loc.gov/authorities/names/n78081329
|
| 245 |
1 |
0 |
|a Digital futures for cultural and media studies /
|c John Hartley.
|
| 264 |
|
1 |
|a Chichester, West Sussex :
|b John Wiley & Sons,
|c 2012.
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| 300 |
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|a 1 online resource (v, 249 pages) :
|b illustrations
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 500 |
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|a Electronic resource.
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Cover; Dedication; Title page; Copyright page; 1 The History and Future of Ideas; Part I: Reading Digits; Part II: A Short History of Representation - From Print to User; 4 The Distribution of Public Thought; 'Public Thought' and Shirky's Shock; Average Collapse; Journalistic Collapse; Academic Collapse; Keening at a Wake; Sequence of Collapse; Every Time You Torrent; An Invisible College - At the Airport; Signaling the Quality of Public Thought; Digital Literacy: 'Look at Moi!'; Trust Me, I'm a Doctor?; Outlearning; 2 Cultural Studies, Creative Industries, and Cultural Science
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| 505 |
8 |
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|a Evolving CitizenshipCultural Citizenship; Media Citizenship; Productive Citizens; Silly Citizenship; Discursive Citizenship in the Era of New Media; Ordinary Publics, New Media, and Cultural Citizenship; Arty-Farty Citizenship?; 7 The Probability Archive; Institutions of Memory; From Objectivity to Quantum Theory; Modernity's Essence Archive; Broadcast Television as Essence Archive; The Probability Archive; Plenitude of the Sign; The Internet as a Probability Machine (Or, How to 'Cast' the First Stone); Amazingly Unlikely; The Veblen Question; The Olduvai Imperative; 8 Messaging as Identity
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| 505 |
8 |
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|a Message - What Message?Part I: Interdisciplinary Encounters; Part II: Madness, or Method?; Part III: Evolution of Homo Nuntius; Part IV: Fashion as 'the Message' of Homo Nuntius; Trickster the Entrepreneur; Cultural Science: System, Agency, Disruption, Change; New Firms; The 'A' Word; Distributed Talent; Lying Worm and Cry Baby; Structural Change; Bridging Culture and Science; 9 Paradigm Shifters; References; Acknowledgments; Index;
|
| 505 |
8 |
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|a Why is Cultural Studies not an Evolutionary Science?Part I: Past - Cultural Studies; Part II: Present - Creative Industries; Part III: Future - Cultural Science; 3 Journalism and Popular Culture; Part I: Popular Culture - Subject or Object?; Part II: Methodological Considerations; 5 Television Goes Online; Cultural Climate Change; 'That Sign Needs Changing'; Less Popular?; More Democratic?; From Coronation Street to Corrie; More Democratic . . . and Sillier?; What Say You?; Implications for Media Studies; 6 Silly Citizenship; Citizenship: Child's Play?; History or Science?; The 'Good Citizen'
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| 520 |
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|a An ambitious rendering of the digital future from a pioneer of media and cultural studies, a wise and witty take on a changing field, and our orientation to it *Investigates the uses of multimedia by creative and productive citizen-consumers to provide new theories of communication that accommodate social media, participatory action, and user-creativity *Leads the way for new interdisciplinary engagement with systems thinking, complexity and evolutionary sciences, and the convergence of cultural and economic values *Analyzes the historical uses of multimedia from print, through broadcasting to the internet *Combines conceptual innovation with historical erudition to present a high-level synthesis of ideas and detailed analysis of emergent forms and practices *Features an international focus and global reach to provide a basis for students and researchers seeking broader perspectives.
|
| 588 |
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|a Description based on print version record.
|
| 650 |
|
0 |
|a Digital media
|x Social aspects.
|0 http://id.loc.gov/authorities/subjects/sh2009123379
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| 650 |
|
4 |
|a Digital media -- Social aspects.
|
| 650 |
|
4 |
|a Mass media.
|
| 650 |
|
4 |
|a Social Science.
|
| 650 |
|
4 |
|a Social media.
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 776 |
0 |
8 |
|i Print version:
|a Hartley, John
|t Digital Futures for Cultural and Media Studies
|d Hoboken : John Wiley & Sons,c2011
|z 9780470671016
|
| 830 |
|
0 |
|a Wiley Online Library.
|
| 856 |
4 |
0 |
|u http://proxy.library.tamu.edu/login?url=https://dx.doi.org/10.1002/9781118106723
|z Connect to the full text of this electronic book
|t 0
|
| 948 |
|
|
|a cataloged
|b h
|c 2012/12/17
|d c
|e jlanham
|f 3:05:30 pm
|
| 994 |
|
|
|a C0
|b TXA
|
| 999 |
|
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|a MARS
|
| 999 |
f |
f |
|s 4657e841-331c-3d91-bc14-dd9312e09b45
|i be7a00e3-66b2-324d-aaee-3ad796e34c42
|t 0
|
| 952 |
f |
f |
|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
|t 0
|e HM851 .H3676 2012eb
|h Library of Congress classification
|
| 998 |
f |
f |
|a HM851 .H3676 2012eb
|t 0
|l Available Online
|