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|a 2012002675
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| 020 |
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|a 9780230339811 (hardback)
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| 020 |
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|a 0230339816 (hardback)
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|a (OCoLC)ocn769987247
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|a PS3529.N5
|b Z639 2012
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|a 812/.52
|2 23
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| 245 |
0 |
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|a Eugene O'Neill's one-act plays :
|b new critical perspectives /
|c edited by Michael Y. Bennett, Benjamin D. Carson.
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| 264 |
|
1 |
|a New York :
|b Palgrave Macmillan,
|c 2012.
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| 300 |
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|a xiii, 208 pages ;
|c 23 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a The playwright's theatre: O'Neill's use of the Provincetown Players as laboratory / Jeff Kennedy -- Rethinking O'Neill's beginnings: slumming, sociology, and sensationalism in The web / J. Chris Westgate -- Eugene O'Neill's Abortion and standard family roles: the economics of terminating a romance and a pregnancy / Lesley Broder -- The movie man: the failure of aesthetics? / Thierry Dubost -- "God stiffen us ...": queering O'Neill's sea plays / Phillip Barnhart -- Epistemological crises in O'Neill's SS Glencairn plays / Michael Y. Bennett -- "The curtain is lowered": self-revelation and the problem of form in Exorcism / Kurt Eisen -- "Ain't nothin' dere but de trees!": ghosts and the forest in The Emperor Jones / Paul D. Streufert -- Neither fallen angel nor risen ape: desentimentalizing Robert Smith / Thomas F. Connolly -- Waiting for O'Neill: the makings of an existentialist / Steven F. Bloom -- O'Neill's Hughie: the sea plays revisited / Robert Combs -- Condensed comedy: the neo-futurists perform O'Neill's stage directions / Zander Brietzke.
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| 520 |
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|a Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing one-act plays, including his justly famous "Sea Plays," with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection, aims to fill the gap by examining O'Neill's one-act plays, during what can be considered O'Neill's formative writing years, and the formative period of American drama. This wide-ranging investigation into O'Neill's one-acts sheds light on a less-explored part of his career, and thus assists scholars in understanding O'Neill's entire oeuvre.
|
| 600 |
1 |
0 |
|a O'Neill, Eugene,
|d 1888-1953
|x Criticism and interpretation.
|
| 650 |
|
0 |
|a American drama
|y 20th century
|x Social aspects.
|
| 700 |
1 |
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|a Bennett, Michael Y.,
|d 1980-
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| 700 |
1 |
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|a Carson, Benjamin D.
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| 945 |
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|a PromptCat
|b 108317
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| 946 |
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|a stk
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| 947 |
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|a A14836013923
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| 948 |
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|a cataloged
|b h
|c 2012/12/4
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|e dmitchel
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|b TXA
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| 952 |
f |
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|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PS3529.N5 Z639 2012
|h Library of Congress classification
|i unmediated -- volume
|m A14836013923
|
| 998 |
f |
f |
|a PS3529.N5 Z639 2012
|t 0
|l Evans: Library Stacks
|