Genre, reception, and adaptation in the "Twilight" series /
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| Format: | eBook |
| Language: | English |
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Farnham, Surrey, England :
Ashgate,
[2012]
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| Series: | Ashgate studies in childhood, 1700 to the present.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Pt. 1. Genre
- "Famine for food, expectation for content": Jane Eyre as intertext for the "Twilight" saga / Anne Morey
- Fantasy, subjectivity, and desire in Twilight and its sequels / Jackie C. Horne
- Postfeminist fantasies: sexuality and femininity in Stephenie Meyer's "Twilight" series / Kristine Moruzi
- Narrative intimacy and the question of control in the "Twilight" saga / Sara K. Day
- Bridges, nodes, and bare life: race in the "Twilight" saga / Alexandra Hidalgo
- Girl culture and the "Twilight" franchise / Catherine Driscoll
- Pt. 2. reception
- "Twilight" fans represented in commercial paratexts and inter-fandoms: resisting and repurposing negative fan stereotypes / Matt Hills
- Coming to a violent end: narrative closure and the death drive in Stephenie Meyer's "Twilight" series / Rachel DuBois
- The giddyshame paradox: why "Twilight's" anti-fans cannot stop reading a series they (love to) hate / Sarah Wagenseller Goletz
- Between Twi-Hards and Twi-Haters: the complicated terrain of online "Twilight" audience communities / Anne Gilbert
- Pt. 3. Adaptation
- "I'd never given much thought to how I would die": uses (and the decline) of voiceover in the "Twilight" films / Katie Kapurch
- Traveling in the same boat: adapting Stephenie Meyer's Twilight, New Moon, and Eclipse to Film / Mark D. Cunningham
- Adaptation and reception: the case of the "Twilight" saga in Korea / Hye Chung Han and Chan Hee Hwang.