Figured in marble : the making and viewing of eighteenth-century sculpture /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Los Angeles :
J. Paul Getty Museum,
2000.
|
| Subjects: | |
| Online Access: | Publisher description Contributor biographical information |
Table of Contents:
- Addressing Sculpture
- Shaping Sculptural Histories
- Sculptors' Lives and Sculptors' travels
- Narratives of Making: The Interpretation of Sculptors' Drawings and Models
- Museum pieces? Re-contextualising the Eighteenth-century Monument
- Design, Materials and Making
- The Commissioning and Making of Lord Shelburne's 'costly fabrick'
- Collaboration and Sub-contracting in eighteenth-century British Sculptors' Workshops
- Making and Viewing Bronze Sculpture
- Categories and Genres
- Portrait Busts of Architects in Eighteenth-century Britain
- A Family Affair: Rysbrack's Foley Monument, Family Tombs and the Conversation Piece
- 'Squabby Cupids and Clumsy Graces': Garden Sculpture and Luxury in Eighteenth-century England
- Collecting, Displaying and Viewing
- Ancient and Modern, French and English, War and Peace: The Sculpture in the Duke of Argyll's Gallery at Adderbury
- Collecting and Viewing Small Bronzes, 1750-1850
- Canova's Three Graces and Changing Attitudes to Sculpture.