Table of Contents:
  • The author as producer: cultural revolution in Berlin and Moscow (1930-1931)
  • Moscow, the lettered city
  • The return of the aesthetic
  • The traveling mode and the horizon of identity
  • "World literature"/"World culture" and the era of the popular front (c. 1935-1936)
  • Face and mask: theatricality and identity in the era of the show trials (1936-1938)
  • Love and death in the time of the Spanish Civil War (1936-1939)
  • The Imperial sublime
  • The battle of the genres (1937-1941).