Chromatic cinema : a history of screen color /
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| Format: | eBook |
| Language: | English |
| Published: |
Malden, MA :
Wiley-Blackwell,
2010.
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| Series: | Wiley online library.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Introduction
- Film color. Coloration in early cinema, 1895-1927
- The rise of technicolor, 1915-1935
- Chromatic cold war : black-and-white and color in opposition
- "Technicolor is natural color" : color and realism, 1935-1958
- Chromatic thaw : Hollywood's transition to color, 1950-1967
- Surface color. Color in European film, 1936-1967
- Chromatic ambivalence: art cinema's transition to color
- "Painting with light" : cinema's imaginary art history
- Unmotivated chromatic hybridity
- Monochrome purgatory : absent color in the Soviet bloc, 1966-1975
- Absent color. "Time present and time past" : black-and-white as technological relic, 1965-1983
- Black-and-white flashbacks : codifying temporal rebirth
- Postmodernism and black-and-white film, 1967-2007
- Nostalgia and pastiche
- Optical color. Cinema's Newtonian optics
- White light : Hollywood's invisible ideology
- Darkness visible : from natural light to "neo-noir", 1968-1983
- Cinematography and color filtration, 1977-1997
- Case study : seeing red in Psycho
- Digital color. Crossing the chromatic wall in wings of desire
- An archaeology of digital intermediate, 1989-2000
- Digital color aesthetics, 2000-2008
- Conclusion : painting by numbers?