http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
1 online resource (x, 227 pages, 8 unnumbered pages of plates) : color illustrations
Introduction -- Film color. Coloration in early cinema, 1895-1927 -- The rise of technicolor, 1915-1935 -- Chromatic cold war : black-and-white and color in opposition -- "Technicolor is natural color" : color and realism, 1935-1958 -- Chromatic thaw : Hollywood's transition to color, 1950-1967 -- Surface color. Color in European film, 1936-1967 -- Chromatic ambivalence: art cinema's transition to color -- "Painting with light" : cinema's imaginary art history -- Unmotivated chromatic hybridity -- Monochrome purgatory : absent color in the Soviet bloc, 1966-1975 -- Absent color. "Time present and time past" : black-and-white as technological relic, 1965-1983 -- Black-and-white flashbacks : codifying temporal rebirth -- Postmodernism and black-and-white film, 1967-2007 -- Nostalgia and pastiche -- Optical color. Cinema's Newtonian optics -- White light : Hollywood's invisible ideology -- Darkness visible : from natural light to "neo-noir", 1968-1983 -- Cinematography and color filtration, 1977-1997 -- Case study : seeing red in Psycho -- Digital color. Crossing the chromatic wall in wings of desire -- An archaeology of digital intermediate, 1989-2000 -- Digital color aesthetics, 2000-2008 -- Conclusion : painting by numbers?
Includes bibliographical references and index.