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090817s2010 miu b s001 0 eng |
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|a PN2193.E86
|b H37 2010
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|a 792.02/2
|2 22
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| 100 |
1 |
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|a Harding, James Martin,
|d 1958-
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| 245 |
1 |
0 |
|a Cutting performances :
|b collage events, feminist artists, and the American avant-garde /
|c James M. Harding.
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| 264 |
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1 |
|a Ann Arbor :
|b University of Michigan Press,
|c [2010]
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| 264 |
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4 |
|c ©2010
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| 300 |
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|a ix, 222 pages ;
|c 24 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
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|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Theater--theory/text/performance
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
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|a Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging schneemann at the dialectics of liberation congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities.
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| 650 |
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|a Experimental theater.
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| 650 |
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|a Feminist theater.
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| 830 |
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|a Theater--theory/text/performance.
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|a Texas A&M University
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