http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
musical spirit and automation in nineteenth-century German literature
Towards autonomy: imitation and expression at the turn of the nineteenth century -- E.T.A. Hoffmann's aesthetics of music and musical machines in "The Automata," "The Sandman" and music reviews -- Schopenhauer and Hanslick: toward a definition of instrumental music as an autonomous art -- Virtuosity and the experience of listening in Heinrich Heine's music criticism and "Florentine nights" -- Rilke's phonograph: the "talking machine" and imagined sound.
Includes bibliographical references and index.
Interdisciplinary German cultural studies ; v. 8