Performing embodiment in Samuel Beckett's drama /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY :
Routledge,
2010.
|
| Series: | Routledge advances in theatre and performance studies ;
12. |
| Subjects: | |
| Online Access: | Publisher description Contributor biographical information |
Table of Contents:
- Introduction
- Dehiscent bodies : from "Le Kid" to Eleutheria
- Intercorporeal performances and the hauntings of history in Waiting for Godot and Endgame
- "This visible flesh" : Krapp's Last tape and Happy days
- Mimes and fragments : corporeal laboratories
- Radiophonic embodiments
- The flesh of the screen and the "eye of prey" : Beckett's Film
- Unhomely semblances and the televisual matrix
- The late theatre : performing traces of embodiment
- Mutated bodies : stage performances of Beckett's late prose texts
- Conclusion : re-embodying Beckett's drama in the twenty-first century.