Table of Contents:
  • Introduction: Against uplift : performance, literature, and the queer Harlem Renaissance
  • American cabaret performance and the production of intimacy
  • The scene of Harlem cabaret : 1926 and after
  • Closing time : Langston Hughes and the queer poetics of Harlem nightlife
  • Rereading Du Bois reading McKay : uplift sociology and the problem of amusement
  • Lena Horne's impersona
  • Afterword: Irrealizing the queer Harlem Renaissance.