Jane Campion : cinema, nation, identity /
| Other Authors: | , , |
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| Format: | Book |
| Language: | English |
| Published: |
Detroit, Mich. :
Wayne State University Press,
[2009]
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| Series: | Contemporary approaches to film and television series.
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| Subjects: |
Table of Contents:
- Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner
- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner
- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin
- The Campions indulge in The audition / Harriet Margolis
- Campion-Keitel connections, a.k.a. "We are the piano" / Chris Holmlund
- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's Autobiography / Lawrence Jones
- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox
- Portraits of a woman: Jane Campion and Henry James / Irène Bessière
- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh
- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessière
- The suburb in Jane Campion's films / Rochelle Simmons
- From antipodean cinema to international art cinema / Raphaëlle Moine
- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley
- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett
- Jane Campion and the moral occult / Ann Hardy
- On viewing Jane Campion as an antipodean / Annabel Cooper.