Music, performance, meaning : selected essays /
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Aldershot, England ; Burlington, VT :
Ashgate,
[2007]
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| Series: | Ashgate contemporary thinkers on critical musicology.
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| Subjects: | |
| Online Access: | Table of contents only |
Table of Contents:
- Musical form and the listener (1987)
- The perception of large-scale tonal closure (1987)
- Beethoven's unfinished piano concerto : a case of double vision? (1989)
- Schenker's theory of music as ethics (1989)
- The editor and the virtuoso, or Schenker vs. Bülow (1991)
- Heinrich Schenker, polemicist : a reading of the Ninth Symphony monograph (1995)
- Music minus one : rock, theory, and performance (1995-96)
- The domestic Gesamtkunstwerk, or record sleeves and reception (1998)
- At the borders of musical identity : Schenker, Corelli and the graces (1999)
- Theorizing musical meaning (2001)
- Form and syntax : a tale of two terms (2002)
- The other Beethoven : heroism, the canon, and the works of 1813-14 (2003)
- Performance writ large : desultory remarks on furnishing the abode of the retired scholar (2003)
- In praise of symbolic poverty (2004)
- Writing on music or axes to grind : road rage and musical community (2003)
- Making music together, or improvisation and its others (2004).