Table of Contents:
  • Prologue: Freud's night out
  • Three foundational documents and their indelibility
  • Majoritarian and racial tyranny: Tocquevill and Beaumont
  • Popular forms : Cooper and the western ; Poe and the detective story ; Fanny Fern and the celebrity novel
  • The nineteenth-century canon: hidden in plain sight : The scarlet letter ; Melville's Moby-dick ; Thoreau's Walden ; James's The American
  • Freud and film redux
  • Twentieth-century classics and new technologies of legibility : Wharton's Summer ; Fitzgerald's The great Gatsby as a "modernist" western ; Hemingway's The sun also rises
  • Race/erasure: Douglass to Roth
  • Equivocal epilogue: total visibility in utopia and dystopia.