Giacomo Meyerbeer and music drama in nineteenth-century Paris /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Aldershot [England] ; Burlington, VT :
Ashgate/Variorum,
[2005]
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| Series: | Collected studies.
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| Subjects: | |
| Online Access: | Table of contents |
Table of Contents:
- Parisian music drama, 1806-64 : social structures and artistic contexts
- Lindoro in Lyon : Rossini's Le barbier de Séville
- Gluck, Berlioz and Castil-Blaze : the poetics and reception of French opera
- Meyerbeer's Margherita d'Anjou
- Meyerbeer's Il crociato in Egitto : mélodrame, opera, orientalism
- Giacomo Meyerbeer, the Théâtre Royal de l'Odéon and music drama in Restoration Paris
- The name of the rose : Meyerbeer's opéra comique, Robert le diable
- Fromental Halévy : from opéra comique to grand opéra
- Translating Weber's Euryanthe : German Romanticism at the dawn of French grand opera
- 'Tutti i francesi erano diventati matti' : Bellini and the duet for two basses
- Donizetti and Wagner : opéra de genre at the Théâtre de la Renaissance
- 'Der Lieblingswunsch meines Lebens' : contexts and continuity in Meyerbeer's opéras comiques.