Explaining tonality : Schenkerian theory and beyond /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Rochester, NY :
University of Rochester Press,
2005.
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| Series: | Eastman studies in music ;
v. 60. |
| Subjects: | |
| Online Access: | Table of contents |
Table of Contents:
- Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle'
- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout
- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications
- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality
- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century tonality
- Renaturalizing Schenkerian theory. Schenker and naturalization ; Schenkerian theory as a model of expert functional monotonal composition.