Dance, identity and integration : tributes to the late Carl Worz and Muriel Topaz : conference proceedings, Congress on Research in Dance ; International Dance Conference, Taiwan, August 1-4, 2004 /
| Corporate Authors: | , |
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| Format: | Conference Proceeding Book |
| Language: | English |
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Taipei, Taiwan :
Conference/Taipei National University of the Arts,
[2004]
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| Subjects: |
Table of Contents:
- The role of doctoral research in cultural change
- Dream yourself anew: choreographic strategies in women's solo contemporary dance making
- Crossing cultural and generational boundaries with a reconstruction of "Bamboo grove"
- Boost: a healing narrative through somatics and dance
- Memory fields: creative explorations for movement and analysis
- Contemporary dance and identity: the Singapore experience
- Embodying gender struggle and social protest: the influence of tanztheater and the awakening of feminist consciousness in Taiwan's modern dance
- The transition of nation identity in Taiwan and the politics of exporting minzu wudao
- Feminine qualities as conceptual embodiment in Korean dance: decoding Seung-Hee Choi's dance
- Quest for artistic integrity: Balanchine's musical and choreographic reconstructions
- New roles for traditional dance and dancers in Thailand
- Identities in motion
- Balanchine, Wittgenstein, and Les Ballets Trockadero de Monte Carlo: philosophical insights through artistic parody
- Expression of dance movement techniques in Peking opera: focusing on segmentation and unification express
- Emergent cultural and social dance identities in Aotearoa, New Zealand
- On movement: bodily experiences and the self
- A decade of patriotism: the works of Doris Humphrey and Charles Weidman, 1930-1940
- Wrestling with the angels: from yellow-face performance to performing yello power of modern China (1938-1959)
- Public vs. private displays: reinventing tradition in the dances of Sabah and Sarawak
- What makes the snake-dissection of a contemporary Southeast Asian work
- Dance in the plays of Gao Xingjian and David Henry Hwang
- Gusmiata Suid and Gumarang Sakti: moving forward with tradition
- Becoming the other in my own land: deconstructing the hidden ideology in the representation of Taiwanese aboriginal dance
- Singapore ethnic dance development in the socio-economic and socio-political environment
- To heal, to astonish, to know: what will propel Australian dances' future?
- Living transformative lives: a doctoral dissertation on the life-world of Finnish contemporary freelance dance artists
- Ballet class in flux: multiple embodiment and the dancer's cultural agency
- Dance and socio-cultural identity: two tribes of eastern India.
- Preservation and research of materials of the traditional dancing culture of Yunnan's minority groups (aboriginal)
- A study of space direction in Sanjai Juku's work: "The egg stands out of curiosity-Unetsu (egg fever)": in comparison to karensansui (dry landscape Japanese garden)
- Endemic species of Caribbean island dance
- Affirming community identity through dance
- Performing the post-human: dancing with cognitive systems (2002)
- Folk dances in the postmodern society
- Riverdance boy
- Taiwan's female choreographers: the next generation
- Human rights through the eyes of artists
- Erick Hawkin's 1991 tour to China and Japan: a reconsideration of Asian aesthetics on his approach to dance
- Political movements?!
- Wu shu gong fang yi shi zhi chu tan = [The exploration of the notion of "offending and defending" in Chinese martial arts].