http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Modern German art for thirties Paris, Prague, and London
resistance and acquiescence in a democratic public sphere
xvii, 359 pages, 6 unnumbered pages of plates : illustrations (some color) ; 27 cm.
Which German art and artists for Paris? -- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia -- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde? -- The limited attention to modern German art in London and the absence of a public exile culture -- Exile artists' groups and local cultural institutions respond to Degenerate Art (July 1937-March 1938) -- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of Broken Glass (April-November 1938) -- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940).
Includes bibliographical references (pages 333-344) and index.
Social history, popular culture, and politics in Germany