http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Representation, subversion, and eugenics in Günter Grass's The tin drum
Representing euthanasia, reclaiming popular culture -- Heteroglossia from Grimmelshausen to the Grimm brothers -- The dwarf and Nazi body politics -- Oskar's dysfunctional family and gender politics -- Oskar as fool, harlequin, and trickster, and the politics of sanity -- Gypsies, the picaresque novel, and the politics of social integration -- Epilogue: beyond Die Blechtrommel: Germans as victims in Im Krebsgang.
Includes bibliographical references (pages [161]-170) and index.
Studies in German literature, linguistics, and culture (Unnumbered)